This blog’s archives are now on Technorati.

I’ve organized the older posts that I’ve decided to keep into categories, but I’m still organizing my blogroll, and then I’ll be done.

I’m still in the process of editing this blog.

While I was editing it, however, I happened to stumble across this little item from Go Fug Yourself. I’m ashamed to put it on this blog, but it’s relevant despite its scathing commentary.

And besides, I love the Fug Girls.

notice

I’m really deciding if I take this blog offline, since I have a feeling no one really reads it and I don’t really care about working on it anymore.

In the meantime, check out my updated profile.

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Originally uploaded by pennydinawoods.

See ya’ll around!

Goodbye…

Hello, my lovies.
It’s been two months since I came to this site and declared my leave.
I’m still on leave; I’m finally getting my shit together and am now working on my stage play, a work that will hopefully involve some of the (public domain) characters from The Wonderful Wizard of Oz (not any movie or stage version). However, here are a few announcements I will make about our beloved sitcom:

• The DVD should be out in January 2006 (earlier reports have said August 2005, but methinks Carsey-Werner wants The Cosby Show out first)

Oh, did I forget to mention we won the national championship? Go Heels!

Until I am ready to rejoin the ADW community and make my blog true to myself, I will see you around.

And I’ll leave a picture for ya’ll to remember me by.

Goodbye…

I’m leaving this blog for good so I can work on my new blog (which I will not link to) and my Rotten Tomatoes blog.

Here is my resignation notice. Enjoy.

If I get some feedback about resuming this blog, I will add new things to them.

Until then…bye bye Hillman, hello UNC again.

Line reversal!

I just noticed a strange reversal of lines between “Save the Best for Last, Part I” and “Interior Desecration:” In “Save” I Whitley says “Mrs. Byron Douglas the Third. Has a nice ring to it. Later in “Interior” Whitley says “Whitley Wayne. Doesn’t have a wing [ring] to it.” Just thought that was interesting.

Anyway here’s a quicky review of Love Taps: This episode tries to promote the evils of domestic violence, but instead makes stereotypes of the characters, especially Deon. “College Kid,” despite its strange and boring angle on the same topic, fleshes out the characters more.

Oh, and happy Thanksgiving.

“Prisoner of Love/Love Taps”

“Prisoner of Love”
This episode is much more amusing than Berenbeim’s fiasco “Mammy Dearest,” but still it’s a bit of a mess.
Let me start at the beginning–not of the episode, but the story behind it.
A reporter from God knows where (Victor Love) wants to do a report of college students’ attitudes to prisoners. He chooses Hillman College after he somehow recieves letters from Freddie, who (in one of Berenebeim’s stereotypical writing gestures) is a pen-pal to many inmates. He grabs some money and heads to Hillman. He lies to Freddie about being released and all that bullshit when she finally meets him and manages to secure a janitoral job (as well as temporary housing) through Ron (the writers’ whipping boy for what allegedly happens when you don’t go to college). Whitley trips over his bags while carrying groceries in Height Hall and manages to score a date with her. On their date, the reporter lies about reading the dictionary from front to back in jail (?) and not knowing how to eat an artichoke (okay, that may not be a lie here, but it could be one). But by the time their date goes on, most of the regulars know about the incognito reporter and fight over whether Whitley should be with him or not.
Later the characters try to help the reporter, under the name of Jamal, adjust to society (or so they think) in some strange-ass ways: Freddie gives him a self-help coloring book (another stereotypical gesture); Lena tells him about her father, who has been incarcerated; Whitley wants to see The Wild One, ride his Harley (which, as a broke-ass reporter, he doesn’t have), and get a tattoo (see quotes below) Ron and Dwayne discover that the reporter has money and race to Height. There the truth is revealed: that he’s a reporter, yada yada. Everyone feels violated, even when Dwayne tries to back Whitley. Of course Whitley dumps the reporter, much to Dwayne’s delight. Dwayne, of course, fails to get back in her panties.
The story had me reeling (as usual, since I usually hate Berenbeim’s work), but Jasmine Guy’s overacting in this episode just wins me over everytime, especially during this exchange:

Jamal: “…Uh, you ready?”
Whitley: “Yeah, let’s ride, daddy!”
J: “Uh, ride what?”
W: “Your Harley!”
J: “I don’t have a Harley.”
W: “Oh…Oh, never mind, we’ll take the Benz [remember she still has the
Mercedes-Benz her daddy bought her way before she came to Hillman]. I
thought we could stop by the tattoo parlor after the movie!”
J: “Uh, Whitley, I don’t think you want to go there.”
W: “Oh, no, no, no, you’re wrong. I want to experience life as you know it. What do you think about ‘Bad Mama,’ right
there (slaps upper left arm), upper arm? (Pretends to rev
up motorcycle) Vroom, vroom! Ah…”

And all this is done with Whitley wearing motorcycle gear (?). Yee!

“Great X-Pectations”
First of all, I think Jenifer Lewis is great in this episode.
Okay, we have a theme in the plot through the use of the ‘What do you think happened when Martin Luther King and Malcolm X met’ assignment. It’s an episode dealing with violence and non-violence.
The main plot concerns Terrell and Charmaine being late because some guys were trying to run her over because they were teasing her about her butt. Charmaine files charges with the police, but Terrell is so intent on carrying a gun around that he gets suspended. Terrell has to convince Dean Davenport (Lewis) that he wants to stay in school, but of course he has to lose the gun.
On to the subplots:

• The easiest one to talk about is Spencer wants to marry Kim again, and she refuses.
• Early in the episode, we find out that Whitley has eaten three sticky buns and is beginning to eat another one, claiming that she needs the sugar to keep up with her students. IMO I think it’s a reference to Whitley being pregnant, but she nor the people around her realize she is pregnant because later she’s shown dining near some rip-off Red Stripe beer (if you’re wondering why there’s Red Stripe beer in the scene, it’s because Michael Ralph’s Spencer is from Jamaica and somebody must have thought he drank Red Stripe, since it’s brewed there.
• A reference to “Cats in the Cradle” is mentioned when Dwayne talks about the people (see my “Cats” post) he could have killed.

Oh, what’s up with those ugly jackets? Yes, it’s a good plot device, but if Terrell doesn’t want to wear a dress jacket, let him not wear the jacket!

Overall, I like the premise of the episode–but I’m very confused about the butt-teasing thing. It doesn’t seem that big a deal to carry a gun over, let alone run over people for. In fact, in “College Kid,” Charmaine is teased about her butt again–and she never goes psycho over it. Geez!

“College Kid”
Contrived.

“Mammy Dearest”/”Cats in the Cradle”

My adapter’s broken. Again. So for the time being, these reviews will be pretty ugly (visually) and pretty damn brief until I get my adapter.

“Mammy Dearest”
After watching this travesty of an episode again, I realize that the (other) weakness in this episode is the bombardment of ideas and the lack of connection between them. Whitley decides to dictate to the others how to perform her ceremony. Whitley decides to (illogically) include mammy in her show and chastize Lena for not reading slave journals she should have been reading herself. Kim gets upset because despite a well-publicized article in Ebony magazine about Charnele Brown’s weight loss, she thinks she is a mammy. Mr. Gaines then supports an illogical basis on why mammy is important before standing up to Kim after Dwayne and Ron do some snaps. Cut to Lena somehow finding out about the dozens in one of the archivial books. Then (the best part of the episode) Kim quits Whitley’s monstrosity. Whitley meets up with Dwayne (this was mandatory) before discovering her family owned slaves. Then Whitley goes on a guilt trip for the sins of her “great-great-great granddaddy Jeremiah.” Gaines goes back to his first theories of mammy to make Kim, a victim of ignorant school officials calling her African princess outfit an aunt Jemima outfit, feel better (suggesting that Kim has always been overweight, but even this is a bit contrived). Finally Gaines helps Whitley get over her guilt trip and we have to endure a very factually inaccurate mock minstrel show/African dance segement (courtesy of Debbie Allen. If you ever wonder how her Oscar show dances must’ve felt like back in the day, look at this episode–you’ll know the reason why) where everything is magically healed except for Dwayne and Whitley’s relationship, which thankfully did heal (in a horrendous manner, but it did heal).
When I was watching this, none of these story elements did not seem to make sense to me–probably because the theme of race was too broad and was easily too solved by Berenbeim.

“Cats in the Cradle”
And the silver spoon, something something something and the man on the moon…
Okay, this is the episode where Ron, insta-bookie galore, bets money on a Hillman/Virginia A&M game (BTW, there is no A&M school in Virginia, just a buncha Yahoos, Turkeys, Pirates and two possibly corrupt religious right schools…and Sweet Briar University [for women!]) and then swindles three white dudes out of their money when he hears Hillman would win the football game because the A&M quarterback is sick. Okay, I take “three” back automatically–we all know Dean Cain is 1/4 Japanese (his last name before his mother remarried was Tanaka), so it’s two white dudes and a quarter-Japanese guy. Cain’s character, Eddie, and his equally racist buddy J.C. (the initials of…Jake Carpenter!), decide to put the word NIGGER in black spray paint on Ron’s already ugly Geo, the one that he supposedly lost because he refused to follow his father’s footsteps and become a car dealer. (Jake, played by Richard Murphy, is probably the most racially tolerant of the three, he’s just scared.) Unfortunately, they only get NI on the car. (Later somebody, possibly a stagehand, puts gger on the car.) A fight ensues between Dwayne, Ron and the two white dudes and a quarter-Japanese guy. They all end up in the stadium jail where the sitcom device of retelling a story in a character’s point of view is used…again. (One example of this is the Good Times episode where the Evans’ ugly couch is burned and we have to see the same story four different times in four different viewpoints until we find out that Penny burned the couch and subsequently put out the fire. In this ADW episode, you see the story once and two retellings, thank God. This is the only truly weak part of the script.) Of course, Ron, Dwayne, the two white dudes and a quarter-Japanese guy endure punishment from Ernie Sabella’s stadium-cop dude until the truth is revealed and J.C. the Stoned (hold on) and the quarter-Japanese dude have to paint buildings at Hillman…like Dwayne and Ron did in the first season.
The racial stereotypes are much more defined here than they were in that mess that should NOT had gotten Berenbeim a promotion “Mammy Dearest,” and the humor is much more memorable too: Whitley’s “Go Hillman, go Hillman” comment, the scalping joke (The role of the Native American scalper was played by G. Adam Gifford), the klepto A&M wolf mascot (Wayne Federman). Dawnn Lewis’ Star Spangled Banner is okay as well, but it’s a bit oversung (leading to J.C. the Stoned’s comment “I hate it when they (African-Americans) butcher the National Anthem”).
Overall the script is well written and the direction is wonderful–kudos to Gary H. Miller for writing this script and Peter Werner for directing. The one performance I didn’t like, however, was Carpenter’s–he sounds like he’s stoned, not intimidating, and I bet that if you had a five-year-old in the script of the show, the five-year-old could have beat J.C.’s ass. I also thought Ernie Sabella’s accent was a bit stong, but keep in mind his character did march with King in one of his Southern marches, so the accent could work in Virginia. And Jasmine Guy could have taken some pointers from Murphy–his Southern accent sounds so much more genuine for someone in Virginia than that destruction of a Georgian Southern accent she used for Whitley.

Next up: Prisoner of Love
Sadly, I cannot review “Bedroom at the Top” due to the lack of videotape I might have…I mean, I get paid tomorrow, I can buy a new one…